by Gerald Boerner
“I worked for twelve years on this story. One of the pictures was the face of an embryo inside the uterus taken with an endoscope with an electronic flash.”
— Lennart Nilsson
“And I remember that the editors wanted to have a witness to say that this was really the case, because it was a very sharp picture of the just the face, the head of the fetus inside the womb.”
— Lennart Nilsson
“I have some friends, colleagues here at the Karolinska Institute and even in the United States and many other countries too, because we are working together as scientists.”
— Lennart Nilsson
“I have the instruments, ideas, technology, computer techniques. We try to create or see something, which has not been known before – just to discover something together. This is always my dream.”
— Lennart Nilsson
“That’s the new way – with computers, computers, computers. That’s the way we can have the cell survive and get some new information in high resolution. We started about five years ago and, today, I think we have reached the target.”
— Lennart Nilsson
“There is a new way with very very tiny fiber optics, which give an enormous high resolution. There are many many thousand fibers, very very close together with a very small diameter.”
— Lennart Nilsson
“And my real enemy is not to hold the specimen sterile, but it’s the lighting. The light is our real enemy. So we have to work with very very poor lighting. But we can increase the light with computers.”
— Lennart Nilsson
Lennart Nilsson (born: 1922)
Lennart Nilsson is a Swedish photographer and scientist. He is famous for his photographs of in vivo human embryos and other medical subjects once considered unphotographable, and more generally for his extreme macro photography. He is also considered to be among Sweden’s first modern photojournalists.
He began his career as a photojournalist in the middle of the 1940s and published a number of photo-essays in Swedish magazines, including "Polar Bear Hunting in Spitzbergen" (1947). On his first assignment for Life to photograph Dag Hammarskjöld’s arrival in New York as UN Secretary General in 1953, he took with him his first photographs of the human embryo. The photographs were published, and he was encouraged to continue photographing the origins of man.
In order to show the fetal development from the earliest stage he used macro-lenses and instruments with special wide-angled lenses. The publication in 1965 of Nilsson’s cover story for Life, ‘The Drama of Life before Birth’, was a landmark. His famous book A Child is Born was published that same year and has since been published in four editions in over twenty countries.
Biography
Lennart Nilsson was born on August 24, 1922 in Strängnäs, Sweden. His father and uncle were both photographers. His father gave him his first camera at age twelve. When he was approximately fifteen, he saw a documentary about Louis Pasteur that made him interested in microscopy. Within a few years, Nilsson had acquired a microscope and was making microphotographs of insects.
In his late teens and twenties, he began taking a series of environmental portraits with an Icoflex Zeiss camera, and had the opportunity to photograph many famous Swedes.
He began his professional career in the mid-1940s as a freelance photographer, working frequently for the publisher Åhlen & Åkerlund of Stockholm. One of his earliest assignments was covering the liberation of Norway in 1945 during World War II. Some of his early photo essays, notably A Midwife in Lapland (1945), Polar Bear Hunting in Spitzbergen (1947), and Fishermen at the Congo River (1948), brought him international attention after publication in Life, Illustrated, Picture Post, and elsewhere.
He was under contract as a photographer for Life from 1965-1972 and produced stories on the heart and heart attacks, the microscopic view inside the body and the brain. His experiments with photography and light microscopy were succeeded by his use of the scanning electron microscope, which provided not only magnification of hundreds of thousands times but sharp three-dimensionality. The photographs from the scanning electron microscope are in black and white. In order to make them more legible he has collaborated with Gillis Häägg to translate the grey scale into full colour, which provides the photographs with their own particular colour identity. Some of the most recent colour has been applied digitally and is conspicuously different.
Nilsson has established an international reputation for his films for television on the human body, but he has also directed his attention to the animal world and the plant and insect world.
In 1954, eighty-seven of his portraits of famous Swedes were published in the book Sweden in Profile. His 1955 book, Reportage, featured a selection of his early work. In 1963 his photoessay about the Swedish Salvation Army appeared in several magazines and in his book Hallelujah.
In the mid-1950s he began experimenting with new photographic techniques to make extreme close-up photographs. These advances, combined with very thin endoscopes that became available in the mid-1960s, enabled him to make groundbreaking photographs of living human blood vessels and body cavities.
He achieved international fame in 1965, when his photographs of the beginning of human life appeared on the cover and on sixteen pages of Life magazine. They were also published in Stern, Paris Match, The Sunday Times, and elsewhere. The photographs made up a part of the book, A Child is Born (1965); image from the book were reproduced in the April 30 1965 edition of Life, which sold eight million copies in the first four days after publication. Some of the photographs from this book were later included on both Voyager spacecraft.
In 1969 he began using a scanning electron microscope on a Life assignment to depict the body’s functions. He is generally credited with taking the first images of the Human Immunodeficiency Virus, and in 2003, he took the first image of the SARS virus.
Around 1970 he joined the staff of the Karolinska Institutet and has worked there since.
Nilsson has also been involved in the creation of documentaries, including The Saga of Life (1982) and The Miracle of Life (1996).
Awards and Honors
Nilsson became a member of the Swedish Society of Medicine in 1969, received an honorary doctorate in medicine from Karolinska Institute in 1976, an Honorary Doctor of Philosophy from the Technische Universität Braunschweig in Germany in 2002, and an Honorary Doctor of Philosophy from Linköping University in Sweden in 2003. He won the Swedish Academy Nordic Authors’ Prize, the first Hasselblad Foundation International Award in Photography (in 1980), the Royal Swedish Academy of Engineering Sciences’ Big Gold Medal in 1989, and in 2002 received the 12th presentation of the Swedish government’s Illis Quorum. His documentaries won Emmy awards in 1982 and 1996.
Nilsson’s work is on exhibit in many locations, including the British Museum in London, the Tokyo Fuji Art Museum, and the Modern Museum in Stockholm.
Since 1998, the Lennart Nilsson Award has been presented annually during the Karolinska Institute’s installation ceremony. It is given in recognition of extraordinary photography of science and is sponsored by the Lennart Nilsson Foundation.
Background and biographical information is from Wikipedia articles on:
Lennart Nilsson that can be found at…
http://en.wikipedia.org/wiki/Lennart_Nilsson
Also:
Lennart Nilsson Biography…
http://www.lennartnilsson.com/biography.html