by Gerald Boerner
“In photography we talk about illusions.”
— John Sexton
“Take everything you hear with a lot of silver or at least salt.”
— John Sexton
“Pictures you have taken have an influence on those that you are going to make. That’s life!”
— John Sexton
“The difference between RC-paper and fiber-based paper is the same as the difference between vinyl and leather.”
— John Sexton
“Many photographers are consumed with the idea of making beautiful contact sheets. I am far more interested in making the best final print I can.”
— John Sexton
“To convey in the print the feeling you experienced when you exposed your film – to walk out of the darkroom and say: "This is it, the equivalent of what I saw and felt!". That’s what it’s all about.”
— John Sexton
“For me the printing process is part of the magic of photography. It’s that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.”
— John Sexton
A photographer needs to be a good editor of negatives and prints! In fact, most of the prints I make are for my eyes only, and they are no good. I find the single most valuable tool in the darkroom is my trash can – that’s where most of my prints end up.”
— John Sexton
“And the camera position, the organization, looking for repeating forms, shapes, trying to set up a visual rhythm seemed to come very natural. All of a sudden I was in a forest of aluminum and steel rather than a forest that we might think of in a traditional sense.”
— John Sexton
“And then as I frequently do, some times I’ll peek out from underneath the focusing cloth and just look around the edges of the frame that I’m not seeing, see if there’s something that should be adjusted in terms of changing the camera position.”
— John Sexton
“Having photographed the landscape for a number of years and specifically working with trees and in the forest I found, without consciously thinking about it, that it was a great learning experience for me in terms of organizing elements.”
— John Sexton
“I think the greatest photographers are the amateur photographers who do it because they love it. Arnold Newman is a good example; he is a consummate professional, but he’s also an ‘amateur’ in the pure sense of the word.”
— John Sexton
“It is light that reveals, light that obscures, light that communicates. It is light I "listen" to. The light late in the day has a distinct quality, as it fades toward the darkness of evening. After sunset there is a gentle leaving of the light, the air begins to still, and a quiet descends. I see magic in the quiet light of dusk. I feel quite, yet intense energy in the natural elements of our habitat. A sense of magic prevails. A sense of mystery. It is a time for contemplation, for listening – a time for making photographs.”
— John Sexton
John Sexton (Born: 1953)
John Sexton is an American fine art photographer who specializes in black and white photographs.
John Sexton was born in 1953, and resides in Carmel Valley, California. Respected as a photographer, master printmaker, and workshop instructor, he is best known for his luminous, quiet photographs of the natural environment. Recently, he has been exploring the aesthetics of humankind’s technology, from ancient Anasazi sites in the Southwestern United States to the Space Shuttle. This work is included in his book entitled Places of Power.
Sexton worked for Ansel Adams from 1979 to 1984 (when Adams died), first as Technical and Photographic Assistant, then as Technical Consultant.
Sexton: The Educator and Master Technician
Sexton has taught at numerous photographic workshops in the past, and continues to do so. He has also lectured at many museums and universities. John’s work is in numerous permanent collections and exhibitions, and he has been the subject of many articles in the photographic press.
John Sexton is a revered photographer, master printmaker, author and workshop instructor. He’s best known for his luminous, quiet, black and white photographs of the natural environment. He’s the director of the John Sexton Photography Workshops program, and teaches numerous photography workshops each year for programs throughout the world including Anderson Ranch Arts Center, The Ansel Adams Gallery, Maine Photographic Workshops, emphasizing printing technique and mastery of the Zone System.
John Sexton: His Work
John Sexton is perhaps the most widely known contemporary black and white landscape photographer and educator. He was an assistant of Ansel Adams for many years, and his work, in high demand, demonstrates the technical and artistic expertise that one would expect from such an association. John’s work has a very distinctive feel and is immediately recognizable, for he has clearly stepped out of the shadow of his mentor and established a worldwide reputation.
His photographs are included in permanent collections, exhibitions, and publications throughout the world. His work has been featured on CBS "Sunday Morning" show with Charles Kuralt, and on the MacNeil Leher News Hour. In 1993, his photographs were used in national advertising campaigns by Bank of America and General Motors. Sexton’s photographs have been featured in numerous publications including: Time, Life, American Photo, Aspen, Backpacker, Photo Techniques, Darkroom Photography, Popular Photography, Zoom, High Country News, Outdoor Photographer, Outside, TWA Ambassador, Southern Accents and View Camera.
He is the Director of the John Sexton photography Workshop program, and teaches numerous photography workshops each year for other programs in the United States and abroad, emphasizing printing technique and mastery of the Zone System. These other programs include: Anderson Ranch Arts Center, The Ansel Adams Gallery Workshops, The Friends of Photography, Maine Photographic Workshops, and the Palm Beach Workshops. His informed and entertaining lectures for photographic and professional organizations, colleges and universities discuss the aesthetic and technical aspects of fine black and white photography. He has presented lectures for, among others, Boston University, George Eastman House, The Friends of Photography, Los Angeles, County Museum of Art, Museum of Photographic Arts in San Diego, and the Seattle Art Museum.
John Sexton: A Thousand Words Interview
Currently a consultant to Eastman Kodak Company and other photographic manufacturers, he worked as both Technical and Photographic Assistant, and then Technical Consultant to Ansel Adams from 1979 to 1984. He continues to serve as Photographic Special Projects Consultant to the Ansel Adams Publishing Rights Trust. From 1985 to 1993, he was a member of the Board of Trustees of The Friends of Photography.
On the reason he is fascinated with photography, Sexton states that: “It’s [Photography is] a creative activity and at the same time, a technical one. I like to make the analogy between the craft of photography and the syntax of language. You have to have those basic skills in order to communicate. The term photography literally translates to ‘writing with light’. Long ago, my friend and mentor Ansel Adams said that he still found it exciting, he still found it frustrating, and occasionally, difficult. That was a great lesson. I think the key is not necessarily photography; it is the creative process.”
On the way he looks at the world, Sexton states that: “I find myself paying more attention to the visual details of an experience. In my back pocket right now is a small piece of plastic, and cut into that is an opening the same proportion as my 4 x 5 view camera. So if I’m stuck in an airport, I can walk around without my camera and make mental photographs. It makes me see the world in the rectangular format of photography.”
On his choice of black and white photography, Sexton states that: “I suspect that goes back to a college photography class in 1973. We went on a trip to see an exhibition by three photographers: Ansel Adams, Edward Weston and Wynn Bullock. I thought I wanted to be either an industrial or advertising photographer, and then we went to this exhibit and saw these black-and-white prints. It was the first time in my life I had tears come to my eyes when viewing a photograph.”
On the kind of light he looks for photography, Sexton states that he seeks: “The right kind…” He goes on to say: “That sounds like a ridiculous answer, but it’s a light that suits the subject and your desires. Light is everything in a photograph. I really love soft light. When I’m teaching, if somebody needs assistance and I make a photograph, they often see it as a dull light but to me, it’s luminous and subtle. Then I show them the results.”
Background and biographical information is from Wikipedia articles on:
John Sexton that can be found at…
http://en.wikipedia.org/wiki/John_Sexton_%28photographer%29
Other References:
John Sexton in Kodak: A Thousand Words…
http://audreyjonckheer.1000words.kodak.com/default.asp?item=734770